Thoughts on co-opting cultural property
Oct. 27th, 2008 11:47 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
gurdymonkeyPosted this morning to the sca-jml yahoogroup this morning: "Earlier this year, I entered my formal karaginu mo ensemble in the Historical Masquerade at Costume Con 26. As this required a stage appearance, I examined a number of online videos of traditional and classical Japanese dance forms beforehand and copied a gagaku composition onto a blank CD. It was not until the tech rehearsal that I blocked my "routine." Said routine involved dragging 70 yards of fabric around the stage for 60 seconds or so, in a manner that would best display the features of the costume. Period.
Imagine my mortification when several people asked me afterward whether I had studied traditional Japanese dance. I told the truth: No, I had not studied nihon buyo (because a few hours with Youtube does not constitute study). I was showing off the costume, not performing a documentable Heian dance routine. Yes, ladies and gentlemen, thank you so much for the compliment, but what you just saw was a complete fabrication.
Yesterday it was my privilege to attend a re-creation of the "Gosechi no Mai," an 8th century dance performed specifically by women of the court for the harvest festival. As I watched the two women from Hara Sho Kai perform, I was intensely aware of the difference between what I did six months ago and what these women were doing. I know now how much I got right. I know now how much I got wrong.
There is no comparison. There cannot be.'"
My observations were prompted by several posts by a relative newcomer who nonetheless keeps volunteering (or being volunteered?) to demonstrate/perform everything from tea ceremony to the latest whim, specifically dancing with a sword.
Her enthusiasm is a truly wonderful thing, but it seems she really has no idea what she is proposing to do or how to begin to go about it.
For the purposes of the masquerade, what I did was appropriate, effective and managed to completely fool several people who may or may not know a thing about nihon buyou. I would not have dreamed of presenting the exact same "routine" at an SCA event. I KNOW I don't know enough.
Imagine my mortification when several people asked me afterward whether I had studied traditional Japanese dance. I told the truth: No, I had not studied nihon buyo (because a few hours with Youtube does not constitute study). I was showing off the costume, not performing a documentable Heian dance routine. Yes, ladies and gentlemen, thank you so much for the compliment, but what you just saw was a complete fabrication.
Yesterday it was my privilege to attend a re-creation of the "Gosechi no Mai," an 8th century dance performed specifically by women of the court for the harvest festival. As I watched the two women from Hara Sho Kai perform, I was intensely aware of the difference between what I did six months ago and what these women were doing. I know now how much I got right. I know now how much I got wrong.
There is no comparison. There cannot be.'"
My observations were prompted by several posts by a relative newcomer who nonetheless keeps volunteering (or being volunteered?) to demonstrate/perform everything from tea ceremony to the latest whim, specifically dancing with a sword.
Her enthusiasm is a truly wonderful thing, but it seems she really has no idea what she is proposing to do or how to begin to go about it.
For the purposes of the masquerade, what I did was appropriate, effective and managed to completely fool several people who may or may not know a thing about nihon buyou. I would not have dreamed of presenting the exact same "routine" at an SCA event. I KNOW I don't know enough.
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no subject
Date: 2008-10-27 10:08 pm (UTC)