gurdymonkey: (Default)
I followed the moon
Down quiet streets guarded by
Shadow-leafed trees.
I fished for my key ring and
Bade her a silent good night.

Book binge

Nov. 7th, 2011 07:02 pm
gurdymonkey: (book)
Continuing from yesterday, it appears someone (or multiple someones) brought in a whole bunch of titles on Japanese subjects to Moe's Books. I had to stop at myself three because I could've easily spent a bundle, but I threw myself on a hardcover copy of Eric Rath's Food and Fantasy in Early Modern Japan (read a bit of it at lunch time and it looks like it should be interesting).

I also grabbed a Japanese exhibition catalog on Emaki (picture scrolls) circa 1974. All the plates are in B&W, but they include things I'd never seen before and part of the catalogue, including the important bit listing what each plate is, are actually in English. The image of poetess Ono no Komachi in deshabille as a corpse is certainly one I've never seen anywhere else. A vain attempt at an internet search for more turned up only two mentions of the particular picture scroll in English, one a JSTOR article that tantalizingly indicated that it's part of a genre of Buddhist art. Who knew?

Lastly, I pounced upon Bugaku Treasures from the Kasuga Shrine, another exhibition catalogue, this one in lavish color, featuring masks, costumes and musical instruments used in classical Japanese dance. Published in 1984, the exhibition was on display in LA during the summer Olympics at the Japanese American Cultural Center
gurdymonkey: (Default)
Moon and sun face off
Across the afternoon sky
Matching stare for stare.
All too soon the sun retreats
Before the advance of night.

Ethnic Arts

Nov. 6th, 2011 07:15 pm
gurdymonkey: (pretties)
Shot these today at Ethnic Arts on Tenth Street in Berkeley. They have beautiful things and I'll probably do a little Christmas shopping there.








While we're at it, here's an eye-roll for the members of the [livejournal.com profile] lj_photophile community who post positive comments (I put up the black and white shot of the baskets there) but can't be bothered to clicky a vote for a photo. (I don't get that. One can vote for as many photos as one likes.)  At least [livejournal.com profile] didjiman and [livejournal.com profile] karisu_sama still love me.

gurdymonkey: (pretties)
Pink bits have been dyed and are drip drying in the shower. Depending on how they look together dry, I may or may not overdye the hitoe a darker green.

Contemplating ways to render a laurel wreath and give it a Japanese flair, if that's at all possible.

http://www.tozandoshop.com/v/vspfiles/kamon/plant2.html Wari daki ashi, some of the daki ine,

http://www.tozandoshop.com/v/vspfiles/kamon/plant4.html Outer ring on the Agari Fujini koky and the Fujiwani Kikyou. (The wreath bit is actually wisteria.)

http://www.tozandoshop.com/v/vspfiles/kamon/plant6.html, not so much but isn't the Dakihagi pretty?

http://www.tozandoshop.com/v/vspfiles/kamon/plant9.html Daikobotan.

http://www.tozandoshop.com/v/vspfiles/kamon/plant12.html Sendai Sasa leaves, bamboo stems and birds. Pretty!

gurdymonkey: (book)
Woke up Friday morning with a hellacious knot in my left shoulder that would not quit, so I hit the Marketplace after work and had a massage with yet another young lady I hadn't previously gone to. I explained the issue, she worked on me for 15 minutes and I did feel better for a couple of hours when she was done with me. I went into the market to see if they had any bamboo combs in stock because I'd told G about them and she wanted one, then discovered they carried umeboshi and grabbed a package, then discovered that they had both hachiya (the sort of acorn shaped ones) and fuyu (the tomato shaped ones) persimmons. They had a sample tray with slices and the fuyu were lovely, so I bought a couple. When I got home, however, the idea of actually making umeboshi onigiri smacked of too much effort - I knew I was going to have enough crap to portage to Collegium that a potluck contribution by me would be unneccessary and more trouble than it was worth. I sliced up a fuyu and put it in my bento, pressed what I planned to wear and watched part of "Give me the banjo" on PBS. I need to catch the second half of this documentary at a later date as it was quite good, even if it was causing Gaius flashbacks.

The house was also cold - I attempted to turn on the heat, but the characteristic gas "whump" and burning dust smell of the first burn of the season did not result, so I just layered up and resolved to call Glenn on Sunday. (When I came home Sunday, however, the heat was cranking away so it may have been where I had the thermostat set.)

Woke up bright and early with the knot returned, so I took an uncharacteristically long (for me) shower, had a mug of tea, and got on the road. Collegium was held in a lovely Unitarian church in downtown San Jose. I used a paid parking lot about a block away - I figured the crap in the back of my truck would be relatively secure there. Got out my folding wagon and loaded up gear for my classes and trundled it down the street with plenty of time to set up for my first class.

Note to self, must test the hot pot in an outlet here today and see if it actually works, maybe I'd plugged it into one that didn't at the church. Fortunately, they'd put me in  room right off the kitchen, so I ended up using the kitchen kettle for water. Had a good turnout for the stitched-resist shibori class and an even better one for the tea class. I confess I'd been angsting about the tea class. It was the result of a conversation from several months ago that ended in "You oughta teach a class on that." Except the more I read the more questions I had and the more I realized how little I knew and how big the subject was. So, feeling woefully unprepared, I leaned on Sen Shoshitsu's The Japanese Way of Tea very heavily, made up pots of Lapsang Souchong and Sencha for people to taste, then whisked up some matcha, repeating the disclaimer that I Have Not Formally Studied Tea Ceremony. They seemed to enjoy it, I was able to answer questions and it went well enough. (That said, I declined to furnish an electronic version of my notes to be posted online as I feel this class is a work in progress and I would like to address the subject further at some point.) I suspect I get away with murder as a teacher simply by being enthusiastic about the subject.

I'd asked [livejournal.com profile] xrian to be spokesman for my Laurel ceremony and she had agreed. However, as is often the case with SCA friendships, details of how much folks know about one another can sometimes be sketchy. The solution was to have lunch together so she could "interview" me. Felt a bit odd and on-the-spot, but it should all work out.

Attended [livejournal.com profile] barone_antonio's class on Italian love poetry. Despite the peanut gallery over on the other side of the table, he tried to present an in depth survey of a wealth of material and left me needing to go back and read some Dante and Petrarch, which I haven't looked at in decades. (I hope he reads this, because I thought it was a terrific class.)  Also hung out at [livejournal.com profile] xrian's Good Books/Bad Books class for a bit, and had flashbacks of my review of Mitsuo Kure's Samurai.

Excellent event, liked the venue a lot, even if I spent most of my day down in the basement. Didn't get to socialize with as many folks as I would've liked, but that's OK. Kudos to [livejournal.com profile] trystbat and her staff for putting on a great event.
gurdymonkey: (Default)
He carried my things
And made some silly jest as
We walked together.
My breath caught on memory:
He reminded me of you.
gurdymonkey: (pretties)
I close my eyes and
Drink its earthy scent as I
Wait for hot water.
At last, the blurred edges of
Sleep are banished for the day.

Sometimes you just need a cup of tea, you know?
gurdymonkey: (Default)
I wake with a start.
Autumn rain hammers the eaves
Just above my head.
As suddenly as it came
It stops, leaving me wakeful.
gurdymonkey: (pretties)
11/3/11

Helplessly they wave
Leafy arms as if it would
Save them from torment.
Harsh gusts off the sea care not
For the plight of a few trees.
gurdymonkey: (Default)
In case you couldn't tell, the preceding entry is what happens when one has issued a challenge, realizes one needs to squeeze out a tanka and is stumped for what to write about. I think Billy Collins did a much better job, but as it happens, I do have a brass Three-Wise-Monkeys paperweight on the bookcase opposite my desk. That said, my evil plot to get people writing poetry is working over on the Tousando - we've got some new players trying the form, including Lady McPostypants. (Speaking of whom, she let slip that she's out of work and just got turned down for something, which may explain why she's Living On Teh Interwebz! I PM'ed her with my standard "if you want to try temping" suggestion and a link to OfficeTeam - they're all over the US, they kept me busy when I first moved out here and I found permanent employment through them.)  

Kuroneko arrived in the mail today, debating whether to save it for Sunday or crack it open tomorrow night. Though I should probably use tomorrow afternoon to organize class supplies and get that out of the way for Saturday's Collegium. I "wasted" time on the latest issue of Smithsonian, instead, and crashed out for a much needed nap. Lovely article in there about a Buddhist monk who is doing field work on the Tibetan bunting. Be sure to check out the video link as well.

Taiko was fun last night. OK, right, when is it not? Got to duet with Tony on the shime-daiko last night and that was a little scary being the stronger player of the pair (as opposed to last week), but we mostly nailed it. However, sticking one rep of "Shinkyoku" in the middle of "JIsshin" is only going to work as a place holder until Sensei comes up with something better to put in there as a shime interlude, because it's too recognizable if the group performs it separately.
gurdymonkey: (brain cramp)
11/2/11:

Eyes, ears and mouth clasped
With frozen brass paws, they sit
Silent on their shelf.
Hear No Evil seems puzzled
By an eternal silence.
gurdymonkey: (pretties)
She weaves patiently
Despite comings and goings
And slamming of doors.
I get a broom with a sigh
And reach once more for her web.

gurdymonkey: (pretties)
Nipponophiles, there's a nice article on Slate interviewing Dr. Donald Keene. I could've done with less description of the lunch and more conversation with the Professor, because this man has done so much over his career to bring Japanese literature and culture to those of us who can't read Japanese.

The Nice Young Samurai from An Tir made this for Halloween. I have no idea what he plans to wear for Twelfth Night, but I know it will be wonderful.

Got forwarded some email questions on how to make junihitoe today. (I dislike this term as it wasn't what they called in in period, but we're stuck with it). Timely, given that I'm working on a new kasane, though. Hopefully I've convinced her that doing it in stages is the smart way to keep from going insane and budget for that much fabric. It was about 5 years from my informal outfit to the complete karaginu mo for me.

Criterion Collection has released Kuroneko on DVD. My copy shipped today. A

And I just won this Taisho period book on medieval Japanese clothing on eBay. I have awesome shopping karma.

No trick or treaters though. I never get them because I don't think they know about the side door. Besides, if they did, they'd have to get past Shelob who continues suspending architectural projects from the porch light. Just as well - I've finally learned not to bother buying candy.
gurdymonkey: (Default)
EDIT:
Hitoe is finished as of last night and just needs to be dyed a darker green.
Laundry is done and folded.
Fabric for karaginu is in the dryer. laundered, dry and folded.

Class notes for next Saturday are about 2/3rds done, not too shabby considering what a pain it is balancing books on my lap to type. I wish that PDF I saw the other day wasn't being such a pain to load. I KNEW I should have printed it out....
Still needs a final proof-read, but I need to not look at it for awhile before I go there or I'll miss stuff.

"Undershirt" kosode is in progress, needing only sleeves and a collar to be finished. May work on it tonight a bit.

OK, back to class notes. If I'm done by 2 PM, I'm going out and doing something with this fine afternoon.

Oh, great.

Oct. 29th, 2011 04:11 pm
gurdymonkey: (brain cramp)
I should've known. The wedding industry has already jumped on "wishing trees." One can even buy the things online. (A cursory glance at Teh Intarwebz says it's been fashionable since at least 2007, along with the cupcake thing.)

http://www.herecomestheguide.com/blog/detail/wish-for-a-better-guest-book/  Dutch custom, eh? Take a wild guess who the Dutch got it from. Mutter mumble sneaky namban.

Fine. I hereby co-opt it BACK. Note to self, keep an eye out for suitable colored papers to make the tanzaku out of.
gurdymonkey: (Default)
Since it's not a bad distance away, I drove over to Dharma Trading in San Rafael this morning as I needed some gold paint and some dye for my Twelfth Night projects. My genius idea of using a commercial resist on the silk jacquard isn't going to work because the resists are designed to work with paint-on dyes. No biggie and I'm glad I got to find out about it before I tried it and had it not work.  I may simply "reserve" the roundels on the karaginu in white by using thinned white paint for a subtle, washy effect. I also found out that they're hosting a workshop on indigo dyeing with Yoshiko Wada, Sunday 11/13. If I day-trip Cynagua Mists War, I could do that. (Indigo dyeing is just not gonna happen at the 2065 Club because I do not have the space to do it for real, but I'd be interested to go and maybe ask Ms. Wada to sign my copy of her shibori book.)  EDIT: I just called to register and the lady at Dharma said they may have to change the date, so she's supposed to call me back once she knows. I'll share the info in case anyone else local is interested.

Hit Black Oak Books on my way back south - while not as disorganized as it was when it first opened, it's still not terribly organized (WHAT, I ask you are The Canterbury Tales doing in the Mythology/Folklore section?). That said, I found a nice little hardcover book on Gagaku from the 1970s with lots of photos of costumes, musical instruments and so forth and a lovely poetry anthology from Shambhala Press called Only Companion: Japanese Poems of Love and Longing.  Why yes, I did take the opportunity to mention it on the Tousando. Why no, I did not scan a minimum of 20 pages out of it and gush about it being a must for one's collection. But that's just me. I will, however, repeat the Izumi Shikibu quote here because it's so evocative.

My black hair tangled
As my own tangled thoughts,
I lie here alone,
Dreaming of one who has gone,
Who stroked my hair till it shone.

And then there's this gem by Socho:

Now what can I do?
My writing hand in a cast
Is useless--
Can't manipulate chopsticks,
Can't even wipe my ass!

Now for a bite of lunch, then I should work on my class notes for a bit.
gurdymonkey: (pretties)
Jacquard No Flow resist. http://www.dharmatrading.com/html/eng/1901-AA.shtml?lnav=resists.html

If it works as advertised, I could conceivably use it to reserve the roundels on that silk jacquard in white while dyeing the rest of it, which would be awesome. Just fired off a note to Dharma Trading's customer service link to see what they recommend.

EDIT: and it's not worth the risk, leaving the whole thing white or dyeing it a pale pink overall would not be the worst thing in the world, given the color scheme of the rest of the kasane. May run over to Dharma tomorrow for a consultation. Besides, I'm all out of Lumiere paint anyway.

***************
To wig or not to wig. My old wig is old and it's a Halloween POS. My real hair is about 3' too short and I'd have to dye it even darker than it is....   With the popularity of cosplay, there are some decent looking long wigs out there. ([livejournal.com profile] sarcasm_hime, can you comment or recommend?) However, wigs are by nature heat traps, I will already be wearing a lot of clothing and the ceremony calls for the placement of a medallion and a cloak on me......

(Ooh, note to self, do not forget to order tooth black!)

***************
I'm liking the wish-tree idea the more I think about it. Bamboo is traditional for Tanabata, however, it will be January and the UnVigil theme is a moon viewing on a snowy evening. Fill the pottery vase I bought with pebbles, anchor some winter-bare branches in it and hope no one loses an eye. 'Cause it's all fun and games until someone loses an eye.

***************
Dear [livejournal.com profile] la_peregrina,
I know you want to come, but real life comes first! I will be much happier knowing you're taking care of yourself and have your priorities straight if you cannot - and so would Gaius and so would Wilhelm. Surely SOMEONE will get photos of all this nonsense in any event, quite possibly even [livejournal.com profile] bovil and [livejournal.com profile] moriven, who I actually trust to do it well. So there, nyah.
gurdymonkey: (pretties)
It's getting to be that time!

Here's the concept:
Write one tanka (waka)* a day for the month of November.

*Resources on tanka:
http://www.ahapoetry.com/TANKA.HTM
http://www.americantanka.com/
http://www.wodefordhall.com/heianpoetryjam.htm

The
spirit of this poetic form being the impermanence of this dewdrop life,
no other make-ups are permitted. If you miss a day, you miss a day and
as in real life, you never get it back. (You're on the honor system here....)

No limits on subject matter other than any you chose to impose upon yourself. Hopefully, some moment in your day will inspire you to write about it.

If you write more than one tanka a day, fine. However, you may not carry over tanka to other days. You have to write a poem on each day.

(If you are inspired to "answer" someone else's poem, great. Personally, if I do so, I am not going to
count it toward my daily assignment. The idea is to come up with something myself each day. What you do is up to you.)

Adherence to the 5-7-5-7-7 line/syllable count is required, otherwise it's not a tanka.

It's poetry, not stereo instructions. It should say something and it should make sense.

No rewrites. (I know, I'm evil, but it's part of the process of practicing this form. At least for me.)

If you want to share your poems, you may post them to the Tanka Challenge community at http://community.livejournal.com/tankachallenge/profile

This challenge originally premiered in 2008.

Good luck everyone!

gurdymonkey: (pretties)
Random ideas often come to me while I'm standing over the copier and this may have to do with the fact that I was in a Barnes and Noble recently and didn't see a journal I quite liked to use as my Twelfth Night guestbook.....  Or not.

Anyway, ema are votive offerings (or wishes, if you like) made at Shinto shrines, while part of the Tanabata festival involves writing wishes and hanging them on trees. In fact, Yoko Ono adapted the idea to a Wish Tree in the garden of the Hirschorn Museum in DC. Here it is naked.  I shot this last month.

So should I have a tree for people to put guestbook notes on at my UnVigil?

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